Tripoli Gallery

Ebo River, 2014
argon, neon, sanding screens, transformer
80 x 30 x 8 inches

Assemblage Malfunction Silky Smooth, 2014
acrylic on steel
56 x 86 x 45 inches

Night Sky (Telephone Pole), 2014
c-print
72 x 48 inches

Untitled (Goodbye Mike Kelley), 2012
Ink on printed paper
17 x 17 inches; 26-3/4 x 25-1/4 inches framed

Besame Mucho, 2014
watercolor on paper
40 x 26 inches

Resin Series: Red Zinnia 1, 2014
oil and resin on panel
46-1/2 x 26-1/4 inches

100 Cents on the Dollar, 2014
painters tape, sheetrock and wood
72 x 48 inches

Untitled, 2014
oil and pigment on canvas
48 x 48 inches

Pinar Water with Rusted Metal, 2014
vinyl wrap on found metal
36 x 23-1/2 x 3 inches

Pro Tools Remix, 2014
oil on canvas
20 x 32 inches overall

Triptych of Humanity, 2014
c-print
10 x 30 inches

Untitled (Red Censor Dot Paintings: The Way She Looks in the Morning!), 2009
vintage grisaille gouache on illustration board with red paint applications and printed acetate label
13-7/8 x 17-3/4 inches; framed

Froggy, 2012
watercolor on paper
29-1/2 x 22 inches; 31-3/4 x 24 inches framed

Quiet Space, 2013
acrylic on linen
39-1/2 x 39-1/2 inches

Crochet, 2014
oil on canvas
14 x 11 inches

Castle, 2014
oil on canvas
14 x 11 inches

Untitled, 2014
oil and pigment on canvas
30 x 30 inches

Untitled, 2014
oil and pigment on canvas
48 x 48 inches

Untitled, 2014
oil and pigment on canvas
48 x 48 inches

Installation Shot by Ryan Moore,

Installation Shot by Ryan Moore,

Installation Shot by Ryan Moore,

Installation Shot by Ryan Moore,

Installation Shot by Ryan Moore,

Installation Shot by Ryan Moore,

Installation Shot by Ryan Moore,

Installation Shot by Ryan Moore,

Installation Shot by Ryan Moore,

Installation Shot by Ryan Moore,

Installation Shot by Ryan Moore,

Installation Shot by Ryan Moore,

Installation Shot by Ryan Moore,

10th Annual Thanksgiving Collective: Attitudes

November 29 ‐ January 25, 2015

Download Press Release

Southampton, NY – Tripoli Gallery is pleased to present the 10th Annual Thanksgiving Collective: Attitudes. Curated by Tripoli Patterson, this exhibition will feature works by Michael Avedon, Isaac Brest, Eric Freeman, Mary Heilmann, Judith Hudson, Yung Jake, Dylan Lynch, Ryan McGinley, Richard Prince, Julian Schnabel, Nathalie Shepherd, Keith Sonnier, Ira Svobodová, and Darius Yektai. The exhibition will be on view at 30a Jobs Lane, Southampton, NY, from November 29th, 2014 through January 25th, 2015, with a public opening reception on Saturday, November 29th from 5 to 8 p.m.

 

The Thanksgiving Collective began in 2005, and has continued each year to serve as a platform for introducing new artists to the gallery and its surrounding East End community, while also showing the artists that have been highlighted in the Gallery’s group and solo exhibitions. The annual show lead to the founding of Tripoli Gallery in Southampton in 2009, where the work of emerging and established artists is now presented year-round. “The Thanksgiving Collective offers a chance each year to go back to the roots of the Gallery,” says Patterson of the homegrown exhibition, “…it’s about cherishing how everything started and looking backwards in order to then move ahead.”

 

For the 10th Annual Thanksgiving Collective, Patterson began by selecting artists that he admires and believes in, allowing a theme to develop organically. In this natural and internal process, the prevailing element revealed itself as Attitudes. In a day and age when mediums and subjects are continuously evolving, the common thread is the attitudes of the artists behind the work. "This gallery is about showing works by artists who are continually pushing the dialogue of contemporary art forward through their own sincerity of expression."

 

On the East End of Long Island, it is the responsibility of all local generations to uphold our rich artistic community and Tripoli Gallery aims to excite and encourage the next generation to take this on. Sharing a vital role in this mission are the contemporary artists, through their continued creativity, and the museums and locally-owned galleries who show their support of the artists. Tripoli Gallery’s biggest show of the year takes place from November through January, highlighting the internationally relevant art scene that flourishes here year-round. The 10th Annual Thanksgiving Collective brings this awareness to the forefront for the local community to see and participate in.

Keith Sonnier
Ebo River, 2014
argon, neon, sanding screens, transformer
80 x 30 x 8 inches

Dylan Lynch
Assemblage Malfunction Silky Smooth, 2014
acrylic on steel
56 x 86 x 45 inches

Ryan McGinley
Night Sky (Telephone Pole), 2014
c-print
72 x 48 inches


Untitled (Goodbye Mike Kelley), 2012
Ink on printed paper
17 x 17 inches; 26-3/4 x 25-1/4 inches framed

Judith Hudson
Besame Mucho, 2014
watercolor on paper
40 x 26 inches

Darius Yektai
Resin Series: Red Zinnia 1, 2014
oil and resin on panel
46-1/2 x 26-1/4 inches

Isaac Brest
100 Cents on the Dollar, 2014
painters tape, sheetrock and wood
72 x 48 inches

Eric Freeman
Untitled, 2014
oil and pigment on canvas
48 x 48 inches

Yung Jake
Pinar Water with Rusted Metal, 2014
vinyl wrap on found metal
36 x 23-1/2 x 3 inches

Mary Heilmann
Pro Tools Remix, 2014
oil on canvas
20 x 32 inches overall


Triptych of Humanity, 2014
c-print
10 x 30 inches


Untitled (Red Censor Dot Paintings: The Way She Looks in the Morning!), 2009
vintage grisaille gouache on illustration board with red paint applications and printed acetate label
13-7/8 x 17-3/4 inches; framed

Judith Hudson
Froggy, 2012
watercolor on paper
29-1/2 x 22 inches; 31-3/4 x 24 inches framed


Quiet Space, 2013
acrylic on linen
39-1/2 x 39-1/2 inches

Nathalie Shepherd
Crochet, 2014
oil on canvas
14 x 11 inches

Nathalie Shepherd
Castle, 2014
oil on canvas
14 x 11 inches

Eric Freeman
Untitled, 2014
oil and pigment on canvas
30 x 30 inches

Eric Freeman
Untitled, 2014
oil and pigment on canvas
48 x 48 inches

Eric Freeman
Untitled, 2014
oil and pigment on canvas
48 x 48 inches


Installation Shot by Ryan Moore,


Installation Shot by Ryan Moore,


Installation Shot by Ryan Moore,


Installation Shot by Ryan Moore,


Installation Shot by Ryan Moore,


Installation Shot by Ryan Moore,


Installation Shot by Ryan Moore,


Installation Shot by Ryan Moore,


Installation Shot by Ryan Moore,


Installation Shot by Ryan Moore,


Installation Shot by Ryan Moore,


Installation Shot by Ryan Moore,


Installation Shot by Ryan Moore,